{"id":4692,"date":"2026-09-03T09:27:41","date_gmt":"2026-09-03T09:27:41","guid":{"rendered":"https:\/\/filmaporto.pt\/dev\/?p=4692"},"modified":"2026-09-03T09:27:42","modified_gmt":"2026-09-03T09:27:42","slug":"filmaporto-brings-four-festival-circuit-highlights-to-the-batalha","status":"publish","type":"post","link":"https:\/\/filmaporto.pt\/dev\/en\/2026\/09\/03\/filmaporto-brings-four-festival-circuit-highlights-to-the-batalha\/","title":{"rendered":"Filmaporto brings four festival-circuit highlights to the Batalha"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">On 10 September, at 19:15, at the Batalha Centro de Cinema, Filmaporto \u2014 film commission presents a screening dedicated to some of the films that have recently stood out on the competitive film-festival circuit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The programme brings together four works of differing cinematic languages and approaches, whose common ground is their relationship with the city, memory, identity and the transformations of the contemporary world.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The screening opens with <em>Ultravioleta<\/em>, by Jos\u00e9 Magro, which sets out from an episode in 1954, when an unidentified flying object was sighted over Florence\u2019s municipal stadium during a Fiorentina match. Seventy years later, the fiction imagines the return of the extraterrestrials to Earth, confronting them with abandoned stadiums.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Next comes <em>Porto2000<\/em>, by Matilde Camacho, a sensory journey through the Porto of the 2000s. Built from the gathering, manipulation and frame-by-frame animation of thousands of photographs drawn from different lives, the film creates a collective vision of a city poised between memory and imagination. The result is the portrait of a Porto that may no longer exist \u2014 or that perhaps never existed in quite that form.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vermelhos do Asfalto<\/em> (Asphalt Reds), by Jo\u00e3o Niza Ribeiro, follows Omar, a young Beninese man working illegally in Porto as a courier. As the violent repression of migrants unfolds in Melilla, Omar rides through the streets of the city on his motorbike, delivering parcels under the constant control of the platforms\u2019 \u201cdigital eye\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lastly, <em>Massa M\u00e3e<\/em>, by Maria Novo, centres on Maria and Mat\u00edas, two characters marked by different forms of restlessness. Maria remains bound to a love from the past, while Mat\u00edas is obsessed with the idea of freedom. Between waiting, hope and fermentation, both seek to understand time and to find a way of controlling what seems to escape them: fate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The screening will be presented by Jos\u00e9 Magro, Maria Novo and Matilde Camacho, also providing a moment of contact between the directors and the audience.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Admission is free; tickets must be collected on the day itself, with access limited to two per person.<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>On 10 September, at 19:15, at the Batalha Centro de Cinema, Filmaporto \u2014 film commission presents a screening dedicated to some of the films that have recently stood out on the competitive film-festival circuit. The programme brings together four works of differing cinematic languages and approaches, whose common ground is their relationship with the city, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4687,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-4692","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/filmaporto.pt\/dev\/wp-json\/wp\/v2\/posts\/4692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmaporto.pt\/dev\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmaporto.pt\/dev\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmaporto.pt\/dev\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/filmaporto.pt\/dev\/wp-json\/wp\/v2\/comments?post=4692"}],"version-history":[{"count":1,"href":"https:\/\/filmaporto.pt\/dev\/wp-json\/wp\/v2\/posts\/4692\/revisions"}],"predecessor-version":[{"id":4693,"href":"https:\/\/filmaporto.pt\/dev\/wp-json\/wp\/v2\/posts\/4692\/revisions\/4693"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmaporto.pt\/dev\/wp-json\/wp\/v2\/media\/4687"}],"wp:attachment":[{"href":"https:\/\/filmaporto.pt\/dev\/wp-json\/wp\/v2\/media?parent=4692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmaporto.pt\/dev\/wp-json\/wp\/v2\/categories?post=4692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmaporto.pt\/dev\/wp-json\/wp\/v2\/tags?post=4692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}